Goodbye September, Hello October

Choreography Workshop, Research Project

The tree leaves are changing to vivid red, orange, yellow, and getting colder in Columbus. It’s been already 6 weeks since I have started my graduate program! I cannot believe how fast the time past. Compared to the quarantine time, I appreciated that I could spend time at a new place and be exposed to new perspectives every day. I learn so much these past weeks.

Looking back these 6 weeks, this feeling of Homesickness keeps washing over me every so often. Compared to the experiences between leaving parents to come to the U.S. and leaving Oklahoma to start school in Ohio, I felt more difficult adjusting in the latter. It might be affected by this current weirdness under the pandemic, though homesickness is not determined by the physical distance. It surprised me. I have been more sensitive to the detail surrounding me such as weather, the sound of the wind, beer cans on the street, people’s laugh outside of my apartment. And re-examining what I miss, like, dislike, and where I feel the most comfortable.

This adjusting to a new place made me think “where is my home?” In my definition of home is a safe, comfortable, vulnerable place. However, is its physical location like the house where I grew up? the intimacy that I have with my husband? the passion or something I love to do in my life?…. There are so many questions I have and this is what I will investigate in my research.

2weeks ago, I completed my first project of the Choreography Workshop Course (Woo-hooooo!!) Next, we will take a look behind the scene of this project, so if you have not seen it, please checked it out at the link below. https://vimeo.com/460652109

I titled this piece, “Living inside the grid” which was inspired by the zoom screen. Since I am taking many classes on zoom, I noticed that in this grid system, it is hard to concentrate and connect with my classmates. I wanted to shape this unnatural rectangle-shaped world. Me trying to be creative, I started looking around rectangle shapes other than my laptop screen. I had many photo frames in different sizes (initially, I bought a bunch of them for my living room decoration) and a wired coffee table that has a square hole in the middle.

At first, I started to play around with photo frames. I set up all my frames standing up on the floor with different distances from the camera to create the depth and space to move around. Ended up knocking down the frames while I was dancing so, I changed the plan to hang them from the ceiling which I have more freedom in between the frames. In a zoom class, there is a weird private territory due to the lack of physical constraint. The only place you have to be presentable is inside of the frame. This idea is connected to my movement and the costume choice. As for the movement, I generate the materials from improvisation. Portraying the flatness, linear, stifling space with and within the frames. And I married some recurring motifs, trying to go away from the frame to breathe in the air, making a frame with my hand. Then, I added on the coffee table to make another layer of this piece. I taped the black blank paper on the hole and tried to rip it and break through it. (which it required so much power haha) It took me to do some practices before I shoot since the paper was super strong! Indeed, I had to stab a pencil to make a hole to put my finger through.

The process of making this piece was crafty and fun exploring the possibility of the daily object in my apartment into the creation. One time, I heard that the limitation stimulates creativity and it was true. I experienced through my first project. The new month is coming. I will keep investigating, exploring, challenging, and creating. The next goal is to make durational work.

One thought on “Goodbye September, Hello October

  1. Yukina – I’m happy to have the opportunity to read your words and to see your choreography…your dance journey continues even though you’ve left the UCO nest! I enjoyed your new piece and how you played with the frames. I love the fingers emerging from and returning to your chest/heart. Seeing the black paper as solid and with you bursting through it was very powerful.

    Like

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